After all this is why it is a common phenomenon that the creator entrusts the construction of the object to an experienced craftsman. And he himself knows that the essence is the image itself. I cannot resist the temptation of a new analogy with poetry where the enjoyment of a short poem increases with multiple consecutive readings. After the first contact a lapse of time is required for the new contact to be truly new and otherwise effective. we will not detect the physical presence of the craftsman. After all this is why it is a common phenomenon that the creator entrusts the construction of the object to an experienced craftsman. And he himself knows that the essence is the image itself.
I cannot resist the temptation of a new analogy with e-commerce photo editing poetry where the enjoyment of a short poem increases with multiple successive readings. After the first contact a lapse of time is required for the new contact to be truly new and otherwise effective. we will not detect the physical presence of the craftsman. After all this is why it is a common phenomenon that the creator entrusts the construction of the object to an experienced craftsman. And he himself knows that the essence is the image itself. I cannot resist the temptation of a new analogy with poetry where the enjoyment of a short poem increases with multiple successive readings. After the first contact a lapse of time is required for the new contact to be truly new and otherwise effective.
Where the enjoyment of a short poem increases with multiple consecutive readings. After the first contact a lapse of time is required for the new contact to be truly new and otherwise effective. where the enjoyment of a short poem increases with multiple consecutive readings. After the first contact a lapse of time is required for the new contact to be truly new and otherwise effective and perhaps inevitable that photography needs walls to communicate with its audience. And this is because good reproductions are possible we have incredibly good examples of typographic reproductions in intaglio sixcolor etc. but extremely expensive. And the public of photographic books is equally or even more limited as that of photographic exhibitions.
