No painter was able to emulate the chiaroscuro effect of the invention presented by Louis Daguerre to the Paris Academy of Sciences in. Photography instantly turned painting upside down. Suddenly the mimetic function of painting became a mockery. Not even Ingress best paintings were capable of achieving what the humblest photographer could produce with his camera. It is a moment of total crisis for painting that must reinvent itself. daguerreotypehuntersB Daguerreotype At that time photography lacked one of the elements of painting color.
But this also highlighted that color was not e-commerce photo editing essential in the threedimensional representation of the world. In fact there are more than million cones in the human eye responsible for perceiving color and million rods with the function of distinguishing tonal degreesb at night in very low light our gaze is practically and have a good idea of threedimensional spaces thanks to our perception of chiaroscuro. Daguerreotype by Zachary Taylor ca. Let us also not forget that monochromatic painting such as Giorgio Vasaris black and white mosaics was made and although color was an integral part of the world of painting it was not indispensable in the dialect of drawing.
John Shannon Hendrix says that chiaroscuro is the means to achieve the effect of the sublime the intuition of the infinite without the limitations of the finite. As a juxtaposition of light and shadow chiaroscuro creates the appearance that the source of the light is the painting itself. The light source is a symbol of the absolute chiaroscuro is the juxtaposition of the ideal in the real… If in this sense chiaroscuro was the right means to impregnate the real with the ideal then the photography is transfigured as the perfect means to approach the ideal that permeates reality.
